By Becky Hogge in OpenDemocacry
As the UK government abuses copyright law to stifle free speech and obstruct freedom of information, the case of Craig Murray reveals how the impulse of power to control dissent is crushing democratic rights anew.
It is nearly two decades since the British government tried to ban Spycatcher, and you would expect them to have learned their lesson. After throwing ?2 million in legal expenses after the biography of former MI5 operative Peter Wright, her majesty’s government was forced to admit defeat in October 1988, leaving ministers red-faced and Wright seriously in the black, thanks to the free publicity afforded his book by his repeated trips to courts across the globe. Eighteen years on, it’s the turn of the UK Foreign and Commonwealth Office (FCO) to have a go. But this time they have a new weapon in their armoury – the vagaries of the British copyright system.
The book in question is Murder in Samarkand, the memoirs of former ambassador to Uzbekistan, Craig Murray. In it, Murray exposes the human rights abuses of Islam Karimov’s regime and details how, during his stay in Tashkent, he came to realise that the “War on Terror”, in which Uzbekistan played ally to the US and UK, was essentially a hypocrisy. The book charts Murray’s confrontation with his superiors at the FCO, his allegations of intelligence obtained under torture, the FCO’s rebuttal of his fears, and their alleged attempts to drive him out of office.
Murray held off publishing Murder in Samarkand for many months as he exchanged letters with the FCO’s Richard Stagg on his intention to publish the book. Although Murray made cuts from the original text, the FCO still threatened legal action were he to publish, on the grounds that the book remained defamatory, inappropriate, misleading and a breach of trust. Stagg also warned that a case against the memoirs might be pursued under copyright law.
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